Quijada and Robinson build the soundtrack to Carlos and Henry's friendship in real time, looping and layering their own vocals and instruments. A lot of the instruments are recognizable: pianos, cellos, trumpets, guitars, drums, vinyl scratching. That Quijada and Robinson are playing all of them and rapping at superhuman speed and harmonizing with themselves is already impressive enough. But what kicks Mexodus into an even higher gear is when Quijada and Robinson interact with the stage itself, designed by Riw Rakkulchon. Corrugated walls become sources of percussion and even thunder. A wooden wheel modulates tracks' tempos. Pedals around the stage loop the sounds, and watching Quijada and Robinson stomp on them to control the next loop is a magic trick that never gets old.
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